(The Dial Press, 2024)
LAMBDA Literary Award Finalist
A bold, poignant essay collection that treats women's friendships as the love stories they truly are, from the critically acclaimed author of Negative Space
Lilly Dancyger always thought of her closest friendships as great loves, complex and profound as any romance. When her beloved cousin was murdered just as both girls were entering adulthood, Dancyger felt a new urgency in her devotion to the women in her life—a desire to hold her friends close while she still could. In First Love, this urgency runs through a striking exploration of the bonds between women, from the intensity of adolescent best friendship and fluid sexuality to mothering and chosen family.
Each essay in this incisive collection is grounded in a close female friendship in Dancyger's life, reaching outward to dissect cultural assumptions about identity and desire, and the many ways women create space for each other in a world that wants us small. Seamlessly weaving personal experience with literature and pop culture—ranging from fairytales to true crime, from Anaïs Nin and Sylvia Plath to Heavenly Creatures and the "sad girls" of Tumblr—Dancyger's essays form a kaleidoscopic story of a life told through friendships, and an expansive interrogation of what it means to love each other.
Though friendship will never be enough to keep us safe from the dangers of the world, Dancyger reminds us that love is always worth the risk, and that when tragedy strikes, it's our friends who will help us survive. In First Love, these essential bonds get their due.
First Love is bracing in its honesty and verve and is as heady and intoxicating as the relationships it details. It's an astonishing work, one that made me laugh and cry and feel deeply grateful and nostalgic for my own deep friendships across the eras of my own life. —Pulitzer Prize finalist author of Easy Beauty, Chloé Cooper Jones
This book is a god damn marvel of a mixtape. A fervent, generous compilation of love songs brought together so the whole is even more meaningful than its parts. First Love is poignant, ferociously smart, and unflinchingly honest. —CJ Hauser, author of The Crane Wife
First Love is like a paper fortune teller as essay collection, but for looking into Dancyger’s past instead of her future. Her life folds and refolds in each of these essays, revealing more as she goes in unexpected flashes, and she makes it look easy as she does it. . . . A heartbreaking, funny, wise companion. —Alexander Chee, author of How to Write an Autobiographical Novel
What if our first and deepest female friendships were the real love stories? These stories hold open the possibility that female friendships are their own ontology, an extended flash, a magical space of being where anything is possible. A dazzling array of essays. —Lidia Yuknavitch, author of The Chronology of Water
From childhood to adolescence and on to adulthood, the author’s intense bonds with other women, based on commonalities as varied as kinship, substance abuse or caregiving, place these essays integrating personal experience and cultural allusions alongside Leslie Jamison’s work. —Bethanne Patrick, The LA Times
A tender, unswerving homage to [Dancyger's] found family, but also an insightful study of friendship as identity-crafting, a way of assembling tools to compose (and improve) a self. —Lauren Puckett-Pope Elle
A soul-stirring compilation of essays about how our earliest intimacies—sisterly, friendly—so often resemble the intensity of romance, how the delineations between different kinds of relationships can blur, how if and when those relationships change or end it can feel like the most devastating heartbreak. —Michelle Hart, Electric Literature
We’re on a path to understanding friendship in a new light, and I know I’m only grateful to witness the carving of that path, thanks to people like Lilly Dancyger. —Julia Hass, Literary Hub
"A necessary, moving essay collection" —Ilana Masad, NPR
(Santa Fe Writers Project, 2021)
Despite her parents’ struggles with addiction, Lilly Dancyger always thought of her childhood as a happy one. But what happens when a journalist interrogates her own rosy memories to reveal the instability around the edges? A memoir from the editor of Burn It Down: Women Writing About Anger, Negative Space explores Dancyger’s own anger, grief, and artistic inheritance as she sets out to illuminate the darkness that was hidden from her.
Dancyger's father, Joe Schactman, was part of the iconic 1980s East Village art scene. He created provocative sculptures out of found materials, and brought his young daughter into his gritty, iconoclastic world. She idolized him—despite the escalating heroin addiction that sometimes overshadowed his creative passion. When Schactman died suddenly, just as Dancyger was entering adolescence, she went into her own self-destructive spiral, raging against the world that had taken him away. But as an adult, Dancyger began to question the mythology she'd created about her father—the brilliant artist, struck down in his prime—using his paintings, sculptures, and prints as a guide to piece together a truer story.
(Seal Press, 2019)
Women are angry, and from the #MeToo movement to the record number of women running for political office, they’re finally expressing it. But all rage isn’t created equal. Who gets to be angry? (If there’s now space for cis white women’s anger, what about black women? Trans women?) How do women express their anger? And what will they do with it-individually and collectively?
In Burn It Down, a diverse group of women authors explore their rage-from the personal to the systemic, the unacknowledged to the public. One woman describes her rage at her own body when she becomes ill with no explanation. Another writes of the anger she inherits from her father. One Pakistani American writes, “To openly express my anger would be too American,” and explains why. Broad-ranging and cathartic, Burn It Down is essential reading for any woman who has burned with rage but questioned if she is entitled to express it.